Lorenz Blaumer is a violinist, producer, sound artist and music mediator. At first, however, he preferred not to study violin; he loved music too much to make it his main profession. So he first studied physics in Munich for four years. But music quickly became the focus of his attention again: In 2006, in addition to the student orchestra and chamber music, he helped to form the band Einshoch6. There he tried his hand at combining classical music and hip hop and was able to experiment in composition, arrangement and as a soloist in front of the orchestra.
In 2007, he decided to give classical violin a chance and began studying orchestral music in Saarbrücken with Prof. Tanja Becker-Bender and later with Prof. Hans-Peter Hofmann. After an internship in 2012 with the Deutsche Radiophilharmonie Saarbrücken-Kaiserslautern and a diploma in 2013, an extensive freelance career followed as an orchestral musician in early music, as a stage musician in ballet and musical theatre productions, as a studio and session musician, producer and recording manager, sound artist, workshop leader and lecturer.
Extensive workshop and concert tours have taken him through Europe, Asia, Africa, North and South America. He composes and (co-)produces his own and collaborative projects, produces electronic music and has been intensively involved in the music theatre collective tutti d*amore since its foundation. With the sound art project Schaltkreismusik, he and Claudia Raudszus develop interactive motorised sound sculptures that can be played as electronic instruments. On this circular search movement, he approaches an authentic personal expression from the most diverse directions.
His love of music education finally leads him to Jeunesses Musicales Deutschland in Weikersheim in 2020 as »Referent Musical Youth Education«, where he meets Juri de Marco during the conception of a workshop series for youth orchestras. From May 2022 to April 2023 he stepped in for Juri de Marco during his sabbatical. Since then, he has shared the artistic direction of Stegreif with him and brings his experience in creating open musical spaces and in the coordination of different forms of expression to the collective.